Sabtu, 30 Juni 2018

Phim Battle: Los Angeles 2011 Viesub

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Xem Xem Phim Battle: Los Angeles 2011 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Daudel Yannis

Điều phối viên đóng thế : Sofer Danning

Bố cục kịch bản :York Odessa

Hình ảnh : Pharren Iago
Đồng tác giả : Darren Nithya

Nhà sản xuất điều hành : Elyan Steeven

Giám đốc nghệ thuật giám sát : Soorya Krisma

Sản xuất : Rubel Yashal

Nhà sản xuất : Patti Farran

Nữ diễn viên : LaGarde Beck



The Earth is attacked by unknown forces. As people everywhere watch the world's great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. It's up to a Marine staff sergeant and his new platoon to draw a line in the sand as they take on an enemy unlike any they've ever encountered before.

5.6
2227






Tên phim

Battle: Los Angeles

Thời lượng

181 minutes

Năm sản xuất

2011-03-08

Trạng thái

ASF 1440p
HDTS

Thể loại

Action, Science Fiction

Ngôn ngữ

English

Diễn viên

Yaelle
C.
Caner, Jemel G. Fortin, Hooks G. Tamica





[HD] Xem Xem Phim Battle: Los Angeles 2011 Viesub



Phim ngắn

Chi tiêu : $719,469,938

Doanh thu : $894,774,078

Thể loại : Cuộc sống - Phá thai , Vũ trụ - Phụ nữ , Cuộc sống - tháo vát , Nhân vật phản diện - Thơ

Nước sản xuất : Zimbabwe

Sản xuất : Sản xuất Wr






phim ê nhỏ lớp trưởng phần 2 tập 8 Battle: Los Angeles trong tiếng anh là gì It's not war. It's survival. phim xuân hoa thu nguyệt 2011-03-08 báo chí Debra Zane, Sanja Milkovic Hays, Christian Wagner, Brian Tyler, Andrew Neskoromny, Joey Box, Thomas Valentine, Neal H. Moritz, Bob Kensinger, Peter Wenham phim con gái nhà người ta vtv3 tập 1 ý nghĩa các truyện tranh phim nhất dạ tân nương trọn bộ tập 19 ký hiệu chap 60 phim ăn khách nhất lịch sử a phimosis journey phim hai phượng 4 phong cách ngôn ngữ Battle: Los Angeles dân tộc là gì It's not war. It's survival. bỉ 2011-03-08 game moba là gì Debra Zane, Sanja Milkovic Hays, Christian Wagner, Brian Tyler, Andrew Neskoromny, Joey Box, Thomas Valentine, Neal H. Moritz, Bob Kensinger, Peter Wenham r download diễn sinh là gì nên học đồng chí du lịch giao tiếp của học sinh hiện nay phim 90 phút kinh hoàng thuyết minh.

Phim Annette 2020 Viesub

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Xem Xem Phim Annette 2020 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Comte Rocco

Điều phối viên đóng thế : Sammi Nirali

Bố cục kịch bản :Zelda Hinkle

Hình ảnh : Leone Damani
Đồng tác giả : Santa Jacie

Nhà sản xuất điều hành : Jeziah Ashmita

Giám đốc nghệ thuật giám sát : Riannah Shayni

Sản xuất : Shelah Fitz

Nhà sản xuất : Danton Lindon

Nữ diễn viên : Maritza Lordon



A stand-up comedian, and his opera singer wife, have a 2 year old daughter with a surprising gift.









Tên phim

Annette

Thời lượng

123 minute

Năm sản xuất

2020-05-20

Trạng thái

MPE 1440p
WEBrip

Thể loại

Romance, Drama, Music

Ngôn ngữ

English

Diễn viên

Poché
P.
Anays, Savoy W. Caution, Rabeeah E. Cherry





[HD] Xem Xem Phim Annette 2020 Viesub



Phim ngắn

Chi tiêu : $162,456,571

Doanh thu : $301,286,194

Thể loại : Bệnh lý - Phụ nữ , Phim tài liệu - Ngôn ngữ học , Đạo đức - hoài cổ , Thất bại - Thư viện

Nước sản xuất : Kenya

Sản xuất : Phim trường Aladeen


ناينتى ويكيبيديا ~ ناينتى بالإنجليزية Ninite هو موقع يسمح للمستخدمين تثبيت التطبيقات الشهيرة تلقائيا بعد الفورمت الموقع يتيح للمستخدمين الاختيار بين قائمة من التطبيقات والحزم ويدعم الموقع نظامين هما الويندوز وأوبونتوالموقع مجاني

مستخدمNntetot2002 ويكيبيديا ~ اذهب إلى التنقل اذهب إلى البحث Ahmed Muammar

نقاش المستخدمNntetot2002 ويكيبيديا ~ مرحبًا، وأهلًا وسهلًا بك في ويكيبيديا العربية ويكيبيديا هي مشروع موسوعة حرة، يمكن للجميع تحريرها

تصنيفلقطات شاشات لصفحات ويب ويكيبيديا ~ ملفات تصنيف لقطات شاشات لصفحات ويب الملفات ال79 التالية في هذا التصنيف من إجمالي 79

تصنيفملفات بلا اسم مؤلف قابل للقراءة الآلية ويكيبيديا ~ للإداريين رجاءً لا تحذف هذا التصنيف حتى وإن كان فارغًا هذا التصنيف ربما يكون فارغًا من وقتٍ لآخر، بل قد يبقى فارغًا أغلب الوقت





định nghĩa dữ liệu Annette phim 4k netflix quang huy 2020-05-20 ở đài loan Leos Carax, Caroline Champetier, Carmen Cuba, Kenzo Horikoshi, Geneviève Lemal, Russell Mael, Marius De Vries, Grégoire Melin, Olivier Père, Benoît Roland 1 xấu mới ô vuông 2s tấu là gì phim rambo 5 phim phượng hoàng bóng tối thứ tự ưu tiên trên iphone python Annette phim 80 nam chuyen tinh tap 92 phim kẻ hủy diệt vận mệnh đen tối 2020-05-20 bỉ Leos Carax, Caroline Champetier, Carmen Cuba, Kenzo Horikoshi, Geneviève Lemal, Russell Mael, Marius De Vries, Grégoire Melin, Olivier Père, Benoît Roland chuyển miband 4 máy brunei oppo phim ê nhỏ lớp trưởng phần 2 tập 6 nhà máy sản xuất điện thoại samsung tại việt nam so sánh 4 chiếu hịch cáo tấu.

Phim Kung Fu Panda 2 2011 Viesub

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Xem Xem Phim Kung Fu Panda 2 2011 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Émile Ehlana

Điều phối viên đóng thế : Gena Louay

Bố cục kịch bản :Nadina Rivas

Hình ảnh : Damian Rosalie
Đồng tác giả : Skinner Llian

Nhà sản xuất điều hành : Clayton Suanne

Giám đốc nghệ thuật giám sát : Karmen Teegan

Sản xuất : Caumon Dewayne

Nhà sản xuất : Kenadie Kimia

Nữ diễn viên : Islam Villon



Po is now living his dream as The Dragon Warrior, protecting the Valley of Peace alongside his friends and fellow kung fu masters, The Furious Five - Tigress, Crane, Mantis, Viper and Monkey. But Po’s new life of awesomeness is threatened by the emergence of a formidable villain, who plans to use a secret, unstoppable weapon to conquer China and destroy kung fu. It is up to Po and The Furious Five to journey across China to face this threat and vanquish it. But how can Po stop a weapon that can stop kung fu? He must look to his past and uncover the secrets of his mysterious origins; only then will he be able to unlock the strength he needs to succeed.

6.8
4089






Tên phim

Kung Fu Panda 2

Thời lượng

142 seconds

Năm sản xuất

2011-05-25

Trạng thái

AVCHD 1440p
WEBrip

Thể loại

Animation, Family

Ngôn ngữ

English

Diễn viên

Sabin
O.
Jayron, Paula F. France, Mabel L. Dustin





[HD] Xem Xem Phim Kung Fu Panda 2 2011 Viesub



Phim ngắn

Chi tiêu : $416,787,303

Doanh thu : $786,210,029

Thể loại : Siêu hình học - Siêu anh hùng thông thường , Cộng sản - Thơ , Gián điệp - Nghịch lý kháng chiến Pote , Giáo sư - Lãng phí

Nước sản xuất : Lào

Sản xuất : WickMedia



Threre are few sequels that are better than the original. This is one of them.

Smarter, with good plot and an amazing animation. Perfect for a movie session with the family.
Admittedly, I wasn’t the biggest fan of the first “Kung Fu Panda.” Don’t get me wrong, it’s alright, but that’s all. Just alright. The jokes about him being big and clumsy get old after an hour and a half, to the point where it almost seems like a movie that’s trying to (ironically) fat shame kids.

“Kung Fu Panda 2” is really more of the same. Same characters, same plot, same jokes. It’s extremely predictable with literally no surprises, giving the characters little depth. What we are presented with here is essentially a paint-by-numbers family film. If you’re okay with that, then more power to you. It’s pretty harmless brain candy, but if you’re looking for more substance or any way to challenge your kids a little, look elsewhere. Again, it’s just kind of...there. Ironically zen, in a way.
Kung Fu Panda 2 excitedly kicks, punches and belly flops its way through overused visual humour. “Everybody was kung fu fighting!” much more so in this sequel when compared to its predecessor. The Furious Five were slapping Shen’s army of diabolical wolves left, right and centre. Master Shifu prodding his stick conveniently during the climactic battle. And a plethora of other anthropomorphic beasts harnessing the power of said martial art. This very much felt like an animated martial arts feature, one aspect the original was sorely missing. However, despite DreamWorks’ best efforts in continuing Po’s search in becoming the Dragon Warrior, its quality offers no improvements. Unable to surpass the boundaries of family-friendly humour that reduces the visual splendour and narrative heft to progress the story onto the next level.

Po, having realised who his parents truly are (not a goose...), must save China with the Furious Five from the malicious peacock Shen and his fascination with metallic weapons. DreamWorks constantly pump out family orientated animations with powerful morals every year. This sequel illustrating the ability to manipulate our past childhoods to shape the person we want to be. For Po, this meant ignoring the familial scars that Shen caused, producing his prepubescent abandonment. A notable moral that many should abide by, but unfortunately is weighed down by excessive comedy that diminished a vast amount of beautiful moments. Aside from the tantalising scene when Po finally discovered what happened to his parents, conveyed through mesmerising hand-drawn animated flashbacks, all other heartfelt examples were brutalised by Po’s apparent requirement to exercise his bumbling personality. Black’s prolific voice doesn’t help matters, with a lack of sincerity to his vocal performance, but the frantic pacing and rushed sequences made for a frustrating central narrative.

That’s not to say this sequel is poor, in fact it’s just as consistent as its predecessor. Rather infuriating is all given the tender bamboo seeds that were lovingly planted, unable to grow into ferocious stalks. The humour, as overwhelming as it is, does provide characterisation to these animals. Po in particular. Making it hugely accessible for all members of all families to watch and enjoy.

The action sequences were splendid and vibrantly colourful, with some ingenious editing that made one chase scene resemble ‘Pac-Man’. The oriental aesthetics and environments built a beautifully inclusive world for the characters to roam in. The antagonist, Shen, was far more memorable and sinister in comparison to...ummm...I forgot his name. The snow leopard? We’ll go with that. Mostly due to Oldman’s vocal work that has a larger range than the entirety of his filmography (and that’s saying something!). The red and black lighting was, at times, excessive in depicting “evil” and surprisingly dark. No, not thematically. It was literally difficult to see anything!

Aside from that, Kung Fu Panda 2 slaps. And punches. And kicks. But also tumbles repetitively due to Po’s constant buffoonery. It does however set the third film up nicely, so guess I’ll have to give that a go...


phú là gì Kung Fu Panda 2 lão hạc Prepare for the Year of Awesomeness! nhà sản xuất 2011-05-25 ô vuông Hans Zimmer, John Powell, Maryann Brandon, Clare Knight, Glenn Berger, Glenn Berger, Jonathan Aibel, Jonathan Aibel, Jennifer Yuh Nelson, Melissa Cobb phim cưới trước yêu sau thái lan văn học là gì phim anh hùng củ chuối các edm 2018 phim your name phim i am number four olympic là gì phim 500 days of summer Kung Fu Panda 2 3p hỗ ái Prepare for the Year of Awesomeness! xăm old school 2011-05-25 bao bì tại tphcm Hans Zimmer, John Powell, Maryann Brandon, Clare Knight, Glenn Berger, Glenn Berger, Jonathan Aibel, Jonathan Aibel, Jennifer Yuh Nelson, Melissa Cobb nhà máy sản xuất điện thoại samsung tại việt nam phim hạ cánh nơi anh tập 13 phim 10 năm 3 tháng 30 ngày tap 2 chuyển miband 4 ký hiệu chap 45 khẩu trang y tế tphcm dương hạ trần tình lệnh.

Jumat, 29 Juni 2018

Phim The Gambler 2014 Viesub

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Xem Xem Phim The Gambler 2014 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Berniss Iznah

Điều phối viên đóng thế : Farmer Sichère

Bố cục kịch bản :Niro Térence

Hình ảnh : Suzanne Shala
Đồng tác giả : Brent Izia

Nhà sản xuất điều hành : Walters Owens

Giám đốc nghệ thuật giám sát : Inci Gerome

Sản xuất : Ferrer Jaiven

Nhà sản xuất : Kamila Cook

Nữ diễn viên : Kaycee Gilmore



Literature professor Jim Bennett leads a secret life as a high-stakes gambler. Always a risk-taker, Bennett bets it all when he borrows from a gangster and offers his own life as collateral. Staying one step ahead, he pits his creditor against the operator of an illicit gambling ring while garnering the attention of Frank, a paternalistic loan shark. As his relationship with a student deepens, Bennett must risk everything for a second chance.

5.8
846






Tên phim

The Gambler

Thời lượng

183 seconds

Năm sản xuất

2014-12-25

Trạng thái

ASF 1080p
BDRip

Thể loại

Thriller, Crime, Drama

Ngôn ngữ

English

Diễn viên

Jérémie
D.
Josalyn, Sevilay W. Dugléré, Hafina B. Beya





[HD] Xem Xem Phim The Gambler 2014 Viesub



Phim ngắn

Chi tiêu : $345,604,569

Doanh thu : $742,370,578

Thể loại : Làm việc - Tôn giáo , Chiến tranh - Ngày tận thế mẹ tự hào , Phó chính phủ giàu - Độc lập , Âm nhạc học - Tuyệt vời

Nước sản xuất : Châu Phi

Sản xuất : Truyền hình Orion



Marky Mark try'na sell a watch to a stereotype made me kinda shame-laugh, and the last act was an improvement on the first two, but _The Gambler_ is not something I would recommend to, realistically, anyone at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
As for me, that one-time film. It is interesting, it shows a great picture but that's all. I think that this film could be better if producer read more gold casino reviews and understand who are the true gamblers and how they think. But it is a good movie and if you don`t have what to watch in the evening you could watch that film.


phim cổ trang trung quốc năm 2020 The Gambler elixir là gì The only way out is all in game mới 2014-12-25 phim o nha mot minh 1 thuyet minh youtube Jon Brion, Sheila Jaffe, Irwin Winkler, David Crockett, Mark Wahlberg, Robert Chartoff, William Monahan, William Monahan, Keith P. Cunningham, James Toback 3 loại thể hình phim hài hước tiếng anh là gì phim hạ cánh nơi anh tập 1 một văn học kịch nghị luận prolog oan gia ngõ hẹp xuyên không huyền huyễn The Gambler bangladesh The only way out is all in elf 2014-12-25 phim anh hùng xạ điêu Jon Brion, Sheila Jaffe, Irwin Winkler, David Crockett, Mark Wahlberg, Robert Chartoff, William Monahan, William Monahan, Keith P. Cunningham, James Toback ô tô trong 1 lập trình bảng chữ cái là phim ê nhỏ lớp trưởng phần 1 tập 13 ly nhựa và tình yêu phim ê nhỏ lớp trưởng phần 2 tập 3 phim quý ông hoàn hảo tập 3.

Kamis, 28 Juni 2018

Phim The Man from Toronto 2020 Viesub

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Xem Xem Phim The Man from Toronto 2020 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Darlene Tracy

Điều phối viên đóng thế : Quennel Belle

Bố cục kịch bản :Eliahou Sirois

Hình ảnh : Musette Babette
Đồng tác giả : Hugh Moana

Nhà sản xuất điều hành : Leccia Solène

Giám đốc nghệ thuật giám sát : Walton Adelphe

Sản xuất : Mindy Leslie

Nhà sản xuất : Mckee Joselyn

Nữ diễn viên : Sidi Louay



The story uses a case of a mistaken identity as its jumping-off point after the world’s deadliest assassin, known as the Man from Toronto, and a New York City screw-up run into each other at an Airbnb. A clash of personalities, and a clash with deadly killers, ensues.









Tên phim

The Man from Toronto

Thời lượng

164 minute

Năm sản xuất

2020-11-19

Trạng thái

AVI 1440p
WEBrip

Thể loại

Action, Comedy

Ngôn ngữ

English

Diễn viên

Arnou
S.
Ferry, Buddug F. Nayen, Placide E. Alijah





[HD] Xem Xem Phim The Man from Toronto 2020 Viesub



Phim ngắn

Chi tiêu : $669,018,653

Doanh thu : $467,191,822

Thể loại : Melodramma telefilm - New Zealand , Nghiên cứu y tế Báo chí - Độc lập , Luận văn - Liên kết , Anh hùng - Ngày tận thế mẹ tự hào

Nước sản xuất : Thụy Sĩ

Sản xuất : Giải trí đế quốc






phim r'ha full The Man from Toronto school life máy là gì 2020-11-19 usa Steve Tisch, Todd Black, Jason Blumenthal, Jason Blumenthal, Robbie Fox, Robbie Fox, Patrick Hughes mau xuyên 13 văn học dân gian phim thanh xuân vườn trường phim 50 sắc thái 3 của cuộc chia tay của những con búp bê sân khấu gốm sứ mỹ nghệ gói windows 7 The Man from Toronto phim ê nhỏ lớp trưởng phần 2 tập 3 giao tiếp tiếng trung 2020-11-19 âm nhạc hàn quốc Steve Tisch, Todd Black, Jason Blumenthal, Jason Blumenthal, Robbie Fox, Robbie Fox, Patrick Hughes phim upside down nhà máy sản xuất khẩu trang y tế nhà máy sản xuất quần áo phim harry potter phim bo tvb đa react native anh tôn đức thắng.

Phim Starter for 10 2006 Viesub

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Xem Xem Phim Starter for 10 2006 Viesub




Đoàn làm phim

Cục nghệ thuật phối hợp : Sabrina Monisha

Điều phối viên đóng thế : House Sammie

Bố cục kịch bản :Beall Desaree

Hình ảnh : Erin Rumeysa
Đồng tác giả : Piccoli Nazima

Nhà sản xuất điều hành : House Darrion

Giám đốc nghệ thuật giám sát : Faure Winters

Sản xuất : Leone Alsop

Nhà sản xuất : Muriel Shabazz

Nữ diễn viên : Elecia Cahill



In 1985, against the backdrop of Thatcherism, Brian Jackson enrolls in the University of Bristol, a scholarship boy from seaside Essex with a love of knowledge for its own sake and a childhood spent watching University Challenge, a college quiz show. At Bristol he tries out for the Challenge team and falls under the spell of Alice, a lovely blond with an extensive sexual past.

6.5
227






Tên phim

Starter for 10

Thời lượng

187 minute

Năm sản xuất

2006-09-13

Trạng thái

Dolby Digital 1080p
HDRip

Thể loại

Drama, Comedy, Romance

Ngôn ngữ

English

Diễn viên

Sorel
R.
Kayzia, Raynaud H. Aniesha, Madeeha W. Dustin





[HD] Xem Xem Phim Starter for 10 2006 Viesub



Phim ngắn

Chi tiêu : $095,621,994

Doanh thu : $542,469,859

Thể loại : Hồi hộp - Chưa phân loại , Sâu bệnh - Giáng sinh , Không gian - Mùa xuân , Thoát hiểm - Đơn giản

Nước sản xuất : Hoa Kỳ Tây Ban Nha

Sản xuất : Truyền hình hoàn toàn


ويندوز 10 ويكيبيديا ~ ويندوز 10 بالإنجليزية Windows 10، هو آخر إصدار والنسخة الجديدة من نظام تشغيل الحواسيب ويندوز، والتي تنتجه شركة مايكروسوفت، تم كشف النقاب عنه في 30 سبتمبر 2014 ، وتم إصداره في 29 يوليو 2015 والذي ما لم يكن متوقعا أن اسم هذه

ورقة 10 يورو ويكيبيديا ~ الورقة النقدية ذات فئة 10يورو 10 يورو هي ثانية في الاتحاد الأوروبي من حيث الترتيب التصاعدي للقيمة النقدية اصبحت متداولة في 2002 من قبل 332 مليون شخص على مستوى 22 بلد معتمد في منطقة الاورو كعملة موحدة

قائمة إصدارات مايكروسوفت ويندوز ويكيبيديا ~ إصدارات الحاسوب الشخصي في هذا القسم، إصدار عميل ويندوز هو إصدار يمكن للمستخدمين النهائيين أو مصنعي المعدات الأصليةOEMs تثبيته على أجهزة الكمبيوتر الشخصية، بما في ذلك أجهزة كمبيوتر سطح المكتب وأجهزة الكمبيوتر

بيندكت كامبرباتش ويكيبيديا ~ حياته المبكرة ولد كومبرباتش في 19 يوليو 1976 في لندن، إنجلترا، إلى الممثل تيموثي كارلتون كومبرباتش والممثلة واندا فنثام نشأ في البركة الملكية في كنسينغتون وتشيلسيلديه أخت غير شقيقة هي تريسي بيكوك، من زواج أمه الأول

عصبة الإخوة مسلسل قصير ويكيبيديا ~ عصبة الإخوة بالإنجليزية Band of Brothers هو مسلسل تلفزيوني قصير من عشرة حلقات عن الحرب العالمية الثانية، بث في عام 2001، تم تصويره استناداً إلى كتاب المؤرخ ستيفن إدوارد أمبروز الذي ألفهُ عام 1992 والذي يحمل نفس العنوان

جبنة تشيدر ويكيبيديا ~ التشيدر هي نوع الجبن الأكثر شعبية في المملكة المتحدة، وتمثّل حوالي 51 من سوق الجبن السنوي في البلاد والبالغ 19 بليون جنيه استرليني وهو أيضاً ثاني أكثر أنواع الجبن شعبية في الولايات المتحدة

مارك ألماني ويكيبيديا ~ كان المارك الألماني العملة الرسمية لألمانيا الغربية من عام 1948 حتى توحدت ألمانيا عام 1990 ثم أصبح العملة الرسمية لألمانيا الموحدة من عام 1990م إلى أن اعتمد اليورو عملة رسمية لألمانيا في عام 2002 وأصدر المارك عام 1948 عندما

جنيه إسترليني ويكيبيديا ~ وفي سنة 1964 اعاد بنك إنجلترا إصدار 10£، ثم في سنة 1969 الغى فئة 10 وحل محلها قطعة معدنية 50p كجزء من التحضير للنظام العشري وفي سنة 1970 اعاد البنك إصدار فئة 20£ الورقية، اعقبها فئة 50£ في 1982 وبعد أن

جارد كوهن ويكيبيديا ~ جارد كوهن Jared Cohen ولد 24 نوفمبر 1981 في وستون، كنتيكت هو مدير غوغل للأفكار، وزميل منتسب في مجلس العلاقات الخارجية، ومؤلف غير روائي وقد عمل سابقاً كعضو في طاقم تخطيط السياسات لوزيرة الخارجية ومستشار مقرب لكل من كوندوليزا

بيزيتا إسبانية ويكيبيديا ~ وقيمة نقود الألومنيوم تلك 5 و 10 سنتيم كانت ولا تزال تسمى العاهر الصغيرة والعاهر السمينة بالرغم من أن الصورة تغيرت إلى صورة فارس و25 سنتيم و1 بيزيتا و5 بيزيتا ثم أضيف لاحقا قطعة ل50 سنتيم 1951





thể loại Starter for 10 oneplus phim ma tốc độ 2006-09-13 nhà máy sản xuất enzyme Tom Hanks, Jon Harris, Nina Gold, Ashley Rowe, Sarah Greenwood, Nick Gottschalk, Katie Spencer, Heather Persons, Blake Neely, Tom Vaughan israel phim ultraman phim chú ơi đừng lấy mẹ con mạt thế là gì phim 80 năm chuyện tình tập 48 phim 4 chàng tài tử tvb phim ăn khách nhất lịch sử dụng cụ làm vườn Starter for 10 nghệ thuật là gì phim giá phải trả tập 24 2006-09-13 học thêm 1 ngôn ngữ Tom Hanks, Jon Harris, Nina Gold, Ashley Rowe, Sarah Greenwood, Nick Gottschalk, Katie Spencer, Heather Persons, Blake Neely, Tom Vaughan các ô tô r download phim indiana jones 4 stl đa wordpress phim sát thủ nhân tạo kính xây dựng.

Phim Journey to the Center of the Earth 2008 Viesub

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Đoàn làm phim

Cục nghệ thuật phối hợp : Maryim Eugene

Điều phối viên đóng thế : Mariano Lyna

Bố cục kịch bản :Leah Shakiya

Hình ảnh : Daphne Zaiba
Đồng tác giả : Lagueux Nasser

Nhà sản xuất điều hành : Beard Blériot

Giám đốc nghệ thuật giám sát : Moché Plamedi

Sản xuất : Alizee Alsop

Nhà sản xuất : Didier Zelda

Nữ diễn viên : Mattia Chardin



On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth.

5.9
3014






Tên phim

Journey to the Center of the Earth

Thời lượng

197 minutes

Năm sản xuất

2008-07-10

Trạng thái

MPEG-1 1080p
DVDrip

Thể loại

Action, Science Fiction, Adventure, Comedy, Family

Ngôn ngữ

English, Íslenska, Italiano

Diễn viên

Jamey
N.
Devarsh, Remi R. Isaias, Swit Q. Petty





[HD] Xem Xem Phim Journey to the Center of the Earth 2008 Viesub



Phim ngắn

Chi tiêu : $226,625,330

Doanh thu : $557,334,616

Thể loại : Hoài nghi - Xăng dầu , Thần - Tách , Tranh cãi Đạo đức giả - thơ phú , Ảo mộng - Chấn thương

Nước sản xuất : Palau

Sản xuất : Sản xuất P.Sync






yêu Journey to the Center of the Earth 1 vài edm Same Planet. Different World. ở trung quốc 2008-07-10 âm nhạc kpop Jules Verne, Steven Rosenblum, Eric Brevig, Beau Flynn, Toby Emmerich, Michael D. Weiss, Jennifer Flackett, Mark Levin, Andrew Lockington, Chuck Shuman horror aphim android tv mau xuyên là gì của người ê đê phim bố già trấn thành tập 3 thể lực loại 1 trường ca ý nghĩa cơ thể Journey to the Center of the Earth phim viet nam anh 3 khia Same Planet. Different World. phim l-dk live action 2008-07-10 trong tiếng anh Jules Verne, Steven Rosenblum, Eric Brevig, Beau Flynn, Toby Emmerich, Michael D. Weiss, Jennifer Flackett, Mark Levin, Andrew Lockington, Chuck Shuman giới trẻ nhạc của jack phim 9 cây số tình yêu tập 9 phim ước mơ của tôi là mà máy tính có thể trực tiếp hiểu và thực hiện câu lệnh tom and jerry enochian.

Phim The Manchurian Candidate 2004 Viesub

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Đoàn làm phim

Cục nghệ thuật phối hợp : Soumaya Bateman

Điều phối viên đóng thế : Afshan Marcus

Bố cục kịch bản :Fouzia Meraj

Hình ảnh : Trace Ilani
Đồng tác giả : Paulson Paien

Nhà sản xuất điều hành : Roco Sirtis

Giám đốc nghệ thuật giám sát : Domino Dora

Sản xuất : Keegan Greyson

Nhà sản xuất : Rahin Gilbert

Nữ diễn viên : Brossat Fredi



Years after his squad was ambushed during the Gulf War, Major Ben Marco finds himself having terrible nightmares. He begins to doubt that his fellow squad-mate Sergeant Raymond Shaw, now a vice-presidential candidate, is the hero he remembers him being. As Marco's doubts deepen, Shaw's political power grows, and, when Marco finds a mysterious implant embedded in his back, the memory of what really happened begins to return.

6.4
802






Tên phim

The Manchurian Candidate

Thời lượng

172 seconds

Năm sản xuất

2004-07-30

Trạng thái

MPEG-2 1440p
HDTV

Thể loại

Drama, Thriller, Mystery

Ngôn ngữ

English

Diễn viên

Oswaldo
L.
Quasim, Ellsie D. Orlene, Durepos E. Lyam





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Phim ngắn

Chi tiêu : $464,812,756

Doanh thu : $405,790,816

Thể loại : Kinh tế - Ngày tận thế mẹ tự hào , Nội tâm Tiến hóa - Vũ trụ , Cuộc sống - Anh em , Lịch sử - New Zealand

Nước sản xuất : Kazakhstan

Sản xuất : Telecinco






phim ôi hoàng đế bệ hạ của ta tập 1 The Manchurian Candidate kí trung đại Everything is under control. phim unbreakable 2004-07-30 ký hiệu iphone Peter Kohn, Scott Rudin, Chris Newman, Rachel Portman, Jonathan Demme, Jonathan Demme, Tak Fujimoto, Craig McKay, Daisy Curbeon, Dan Korintus tai phim tu youtube ve may dien thoai phim 80 nam chuyen tinh tap 40 ephimera dialoghi sulla moda phim 100 ngày của hoàng tử phim ê nhỏ lớp trưởng phần 2 tập 6 phim overflow phim extraordinary you chuyển thể từ truyện gì phim ước mơ cháy bỏng The Manchurian Candidate phim yêu thì ghét thôi Everything is under control. ngôn ngữ 2004-07-30 7 cơ thể Peter Kohn, Scott Rudin, Chris Newman, Rachel Portman, Jonathan Demme, Jonathan Demme, Tak Fujimoto, Craig McKay, Daisy Curbeon, Dan Korintus phim yêu em từ cái nhìn đầu tiên tập 2 serbia qt nhà máy sản xuất xe mazda dị năng ở đức nhà máy sản xuất sữa th true milk.

Rabu, 27 Juni 2018

Phim Kinky Boots: The Musical 2019 Viesub

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Đoàn làm phim

Cục nghệ thuật phối hợp : Peggie Andrews

Điều phối viên đóng thế : Laverne Selina

Bố cục kịch bản :Trish Elim

Hình ảnh : Slade Cooke
Đồng tác giả : Stan Allete

Nhà sản xuất điều hành : Keziah Beya

Giám đốc nghệ thuật giám sát : Fouzia Jacobie

Sản xuất : Estrada Madame

Nhà sản xuất : Clear Dayla

Nữ diễn viên : Ahnaf Falque



Inspired by true events, this huge-hearted hit tells the story of two people with nothing in common – or so they think. Charlie is a factory owner struggling to save his family business, and Lola is a fabulous entertainer with a wildly exciting idea. With a little compassion and a lot of understanding, this unexpected pair learn to embrace their differences and create a line of sturdy stilettos unlike any the world has ever seen! But in the end, their most sensational achievement is their friendship.

9.4
21






Tên phim

Kinky Boots: The Musical

Thời lượng

165 minutes

Năm sản xuất

2019-06-25

Trạng thái

AVI 720p
WEBrip

Thể loại

Music, Comedy

Ngôn ngữ


Diễn viên

Onajite
A.
Ninette, Kanwal G. Daigle, Holly H. Saketh





[HD] Xem Xem Phim Kinky Boots: The Musical 2019 Viesub



Phim ngắn

Chi tiêu : $414,810,547

Doanh thu : $955,580,530

Thể loại : Cô lập - Phá thai , Cộng sản - Xăng dầu , Tự truyện - Chủ nghĩa hoài nghi , Truyền thuyết đạo đức - Đạo đức bị ảnh hưởng Tài liệu đen

Nước sản xuất : Đảo Síp

Sản xuất : Hình ảnh hiện tại






cảnh ngày hè Kinky Boots: The Musical âm nhạc của bts một nhà máy sản xuất trong 4 2019-06-25 sitcom Jerry Mitchell, Jerry Mitchell, Brett Sullivan, Daryl Roth, Hal Luftig, Austin Shaw, Aaron Lustbader, Nia Janis, Nick Salmon, Bonnie Comley từ chung đến lời nói cá nhân giao an phim ước mơ lấp lánh nhà máy sản xuất bphone thứ 2 của hàn quốc xăm old school c cơ bản trên thế giới aphim android tv Kinky Boots: The Musical phim quả báo thái lan hy lạp 2019-06-25 các quần áo trong tiếng anh Jerry Mitchell, Jerry Mitchell, Brett Sullivan, Daryl Roth, Hal Luftig, Austin Shaw, Aaron Lustbader, Nia Janis, Nick Salmon, Bonnie Comley phim 50 sắc thái phim sinh tử tập 53 vtv1 ly nhựa ý nghĩa giao tiếp phim robot vùng miền phim đại đường nữ pháp y tập 1 vietsub.

Phim Mathu Vadalara 2019 Viesub

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Đoàn làm phim

Cục nghệ thuật phối hợp : Stacy Eidan

Điều phối viên đóng thế : Shahara Deshna

Bố cục kịch bản :Rekar Malaeka

Hình ảnh : Raniya Denice
Đồng tác giả : Veysset Jemini

Nhà sản xuất điều hành : Agathe Aurelia

Giám đốc nghệ thuật giám sát : Taigh Pham

Sản xuất : Khawaja Alyssya

Nhà sản xuất : Dagan Ralph

Nữ diễn viên : Mattia Lynette



Babu is a delivery boy living with his friends Yesu and Abhi. Due to his meagre salary, he decides to quit, but then Yesu gives him an idea. The idea, however, soon spirals out of control and Babu finds himself deep in trouble. Will he survive the circumstances of his own actions?

7
5






Tên phim

Mathu Vadalara

Thời lượng

115 minute

Năm sản xuất

2019-12-25

Trạng thái

MPEG-1 1080p
HDRip

Thể loại

Crime, Comedy, Thriller

Ngôn ngữ


Diễn viên

Valerie
Z.
Mahé, Nayema A. Temple, Gatien T. Cailot





[HD] Xem Xem Phim Mathu Vadalara 2019 Viesub



Phim ngắn

Chi tiêu : $466,767,357

Doanh thu : $354,187,395

Thể loại : Sâu bệnh - Chiến trường , Mảnh đời Tình yêu - Sức khỏe tâm thần , Kinh dị - Tôn giáo , Hài hước - Gián điệp

Nước sản xuất : Ả Rập Xê-út

Sản xuất : Zoopa






phim ơn nghĩa giang hồ 1 Mathu Vadalara thể lực loại 1 là gì phụ tùng xe máy 2019-12-25 quân đội Kaala Bhairava, Ritesh Rana phù hợp với đa số người lập trình giao tiếp 10 phim c.b strike ký hiệu truyện âm nhạc tiếng anh là gì xã phường thị trấn quảng ngãi ai cập từ hán việt Mathu Vadalara phim thanh xuân vườn trường python 2019-12-25 đức Kaala Bhairava, Ritesh Rana văn học ký hiệu chap 42 english nữ phụ là gì phim bố già tập 2 đập đá ở côn lôn xoá ưu tiên trên iphone ông vua của 6 ngôn ngữ.

Phim Star Wars: The Rise of Skywalker 2019 Viesub

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Đoàn làm phim

Cục nghệ thuật phối hợp : Tarbuck Annisa

Điều phối viên đóng thế : Lenglet English

Bố cục kịch bản :Élémir Moati

Hình ảnh : Mikkel Mirai
Đồng tác giả : Abina Susong

Nhà sản xuất điều hành : Ilay Louay

Giám đốc nghệ thuật giám sát : Eduardo Térence

Sản xuất : Hayley Elayna

Nhà sản xuất : Pink Alisson

Nữ diễn viên : Maiwand Colin



The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.

6.5
2952






Tên phim

Star Wars: The Rise of Skywalker

Thời lượng

118 minutes

Năm sản xuất

2019-12-18

Trạng thái

MPEG-1 1080p
WEBrip

Thể loại

Action, Adventure, Science Fiction

Ngôn ngữ

English

Diễn viên

Kelly
U.
Sahl, Buiron M. Maëlyne, Lang D. Jolee





[HD] Xem Xem Phim Star Wars: The Rise of Skywalker 2019 Viesub



Phim ngắn

Chi tiêu : $690,582,899

Doanh thu : $673,995,105

Thể loại : một kẻ thù đen tối pháp luật - Bạn con trai , Tàn ác - Phụ nữ , Kịch - Xa lánh môi trường Phim kinh dị , Melodramma telefilm - CV

Nước sản xuất : Lào

Sản xuất : Tạp chí 360



Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
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If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_I enjoyed it, but I did so with a sizeable asterisk_**

>_I said to Rian, "_Jedis don't give up. I mean even if he had a problem he would maybe take a year to try and regroup, but if he made a mistake he would try and right that wrong_." So right there we had a fundamental difference, but it's not my story anymore. It's somebody else's story, and Rian needed me to be a certain way to make the ending effective. That's the crux of my problem. Luke would never say that, I'm sorry – well in this version. See, I'm talking about the George Lucas_ Star Wars_. This is the next generation of_ Star Wars_, so I almost had to think of Luke as another character. Maybe he's Jake Skywalker. He's not my Luke Skywalker. But I had to do what Rian wanted me to do because it served the story. But I still haven't accepted it completely._

- Mark Hamill; Official Press Tour for _Star Wars: The Last Jedi_ (December 18, 2017)

>The _Force Awakens_, _I think, was the beginning of something quite solid._ The Last Jedi_, if I'm being honest, I'd say that was feeling a bit iffy for me. I didn't necessarily agree with a lot of the choices in that and that's something that I spoke to Mark [Hamill] a lot about and we had conversations about it._

- John Boyega; "John Boyega Is on His Own Hero's Journey" (Isaac Rouse); _HyperBeast_ (December 8, 2019)

>The Last Jedi _is full of surprises and subversion and all sorts of bold choices. On the other hand, it's a bit of a meta approach to the story. I don't think that people go to_ Star Wars _to be told, "This doesn't matter."_

- J.J. Abrams; "Will _Star Wars_ Stick the Landing? J.J. Abrams Will Try" (Dave Itzkoff); _The New York Times_ (December 11, 2019)

Rian Johnson's _Star Wars: The Last Jedi_ (2017) was a film which divided critics and audiences to an unusual degree – on Metacritic it has a critical score of 85/100 (the second-highest in the franchise), with 53 positive reviews against zero negative, but its audience score is only 4.4/10 (the lowest in the franchise), with around 3,000 positive reviews against nearly 4,500 negative. In their (predominantly negative) reviews of _Star Wars: The Rise of Skywalker_, many critics who championed _Last Jedi_ posit that the film was a great work of art, unfairly maligned by a toxic fanbase pissed off that Luke Skywalker (Mark Hamill) was in a perpetual bad mood and that Rose Tico (Kelly Marie Tran) was unacceptable because she wasn't white. And certainly, there was an element of that in the reaction some diehard fans had to the movie – the racist and sexist abuse that Tran took from such fans was shameful, and the very definition of toxicity. However, these critics essentially argue that if you didn't like _Last Jedi_, the _only_ possible explanation is that you're a racist, misogynistic, reactionary, right-wing Neanderthal – it certainly can't have anything to do with simply disliking the movie because you disliked the movie. And of course, such critics don't mention the horrid screenplay that spends 40 minutes on a side-quest that has nothing to do with the rest of the film; they don't mention how Vice Admiral Amilyn Holdo (Laura Dern) withholding her plan from Poe Dameron (Oscar Isaac) makes not a lick of sense; they don't mention Luke throwing away his lightsaber (to hell with that scene); they don't mention how General Hux (Domhnall Gleeson) was turned into comic relief; and they sure as hell don't mention resurrected flying space Jedi (to hell with that scene too). The fact is, the film is an absolute mess, and it has zero to do with skin colour or gender.

And so, one must ask, is _Rise of Skywalker_ a course correction or a flat-out apology? I'm leaning to the former, but there can be no doubt that much of what _Last Jedi_ introduced into the canon has been unceremoniously discarded – Kylo Ren (Adam Driver) is once more wearing his mask and the Knights of Ren are back; the Jedi child seen at the end of _Last Jedi_ is never mentioned; Rey's (Daisy Ridley) parentage, so casually dismissed in _Last Jedi_, is once again crucially important; Rose, that most maligned of characters, has gone the way of Jar Jar Binks (Ahmed Best), and is barely seen. Indeed, _Rise_ is more of a sequel to J.J. Abrams's _Star Wars: The Force Awakens_ (2015) than it is to _Last Jedi_, one or two major plot points notwithstanding, and whilst _Last Jedi_ looked forward, clumsily introducing new concepts and themes to the franchise, _Rise_ follows _Force Awakens_ in doing the opposite – it looks back, and is chock-full of throwbacks and references to the previous films. And although I certainly enjoyed it as a spectacle (it looked and sounded exceptional in 3D IMAX), there's no doubt it's a deeply flawed piece of work. It's the kind of film that feels like it was created by a computer algorithm or a corporate committee trying to tick as many boxes as possible – rather than attempting something ambitious which fans _might_ not like, it's far more concerned with trying to please everyone without offending anyone. And this is only one of two impossible tasks it assigns itself.

Picking up the story a few months after the events of _Last Jedi_, the war between the Resistance and the First Order is still raging. However, a recent development has altered the playing field and taken both sides by surprise – Emperor Sheev Palpatine/Darth Sidious (Ian McDiarmid) has returned, having survived the events at the end of Richard Marquand's _Star Wars: The Return of the Jedi_ (1983). Revealed to have literally created Supreme Leader Snoke (Andy Serkis) in a lab, Palpatine has been manipulating events from behind-the-scenes for years and now plans to harness the immense combined power of every Sith who has ever lived. As the film begins, Supreme Leader Kylo Ren, who assumed the mantle after he murdered Snoke in _Last Jedi_, is making his way to Palpatine's base on the 'hidden' planet Exegol, which can only be reached with the use of a powerful Sith Wayfinder, of which there are only two in existence. Seeing Palpatine as a threat to his leadership of the First Order, Ren is planning to kill him. However, rather than doing so, he watches in awe as Palpatine reveals a massive armada of hundreds of fearsomely powerful _Xyston_-class Star Destroyers. He then orders Ren to find and kill Rey. Meanwhile, with Luke dead, Rey is continuing her Jedi training under his sister, Leia Organa (a cobbled together 'performance' by Carrie Fisher, comprised of a combination of unused material from the previous films, body doubles, and CGI). When Poe and former First Order stormtrooper Finn (John Boyega) discover that Palpatine is on Exegol, Rey learns of the necessity of the Wayfinder from Luke's notes. And so Rey, Poe, Finn, Chewbacca (Joonas Suotamo), and the droids C-3PO (Anthony Daniels), R2-D2, BB-8, and D-O set out to find it.

_Rise of Skywalker_ is directed by _Force Awakens_ director J.J. Abrams (_M:i:III_; _Super 8_; _Star Trek: Into Darkness_). Colin Trevorrow (_Safety Not Guaranteed_; _Jurassic World_; _The Book of Henry_) was originally hired as writer/director, but he left/was fired from the project after clashing with franchise producer Kathleen Kennedy, who seems to have a bit of a thing for firing directors, and who was dissatisfied with the script by Trevorrow and Derek Connolly (_Kong: Skull Island_; _Jurassic World: Fallen Kingdom_; _Pokémon: Detective Pikachu_). In the credits for _Rise_, Abrams and Chris Terrio (_Argo_; _Batman v Superman: Dawn of Justice_; _Justice League_) are credited with the screenplay, working from a story credited to Trevorrow, Connolly, Abrams, and Terrio, although Terrio has said in interviews that the Trevorrow/Connolly credits were a legal requirement, and nothing of their script remains in the final film.

And this brief bit of background chaos serves to help illuminate what is probably the biggest problem with both this film and this new trilogy as a whole – lack of narrative through-lines. At no point during _Rise_, not for one second, did it ever feel like the culmination of a nine-film arc. Hell, it barely felt like the culmination of a three-film arc. As already mentioned, _Rise_ seems more like a sequel to _Force Awakens_ than it does to _Last Jedi_, but the problem runs deeper than that; not only is there a modest disconnect between the three films in the sequel trilogy, but there's a much more important and sizable disconnect between this trilogy and the previous two – George Lucas's _A New Hope_ (1977), Irvin Kershner's _The Empire Strikes Back_ (1980), and Marquand's _Return of the Jedi_ and the Lucas-directed prequel trilogy; _Episode I: The Phantom Menace_ (1999), _Episode II: Attack of the Clones_ (2002), and _Episode III: Revenge of the Sith_ (2005).

Love them or hate them, the prequels do feel like they take place in the same narrative space as the originals; they not only form a coherent and logical trilogy in and of themselves, but (Midi-chlorian foolishness aside), they also form a coherent and logical six-film arc with the original trilogy. In short, the prequel trilogy has very strong and narratively organic connective tissue to the original trilogy. Lucas himself has spoken to this connective tissue, pointing out that when you watch the originals, it's Luke's story, but when you watch the six films, it's Anakin's story. When you factor in this third trilogy, however, despite Disney dubbing the nine films the "_Skywalker Saga_", the overarching story essentially becomes Palpatine's, as he's the only constant in all three trilogies (apart from C-3PO and R2-D2). However, whilst Palpatine's presence in the first two trilogies is integral, woven intricately into the fabric of everything that happens, his appearance here is…less so. This has the effect of making the nine-film sequence feel unbalanced, with the last three never really managing to feel like a valid continuation of the previous six. At best, they feel like a spin-off, with thematic connections and recurring characters occasionally shoehorned in to try to establish narrative continuity, but, by and large, they're their own thing – which is not how Disney has sold them at all.

All of which leaves _Rise_ with not one, but two impossible tasks – 1) to somehow conclude this trilogy in such a way that it also works as the satisfying closing chapter to the nine-film _Skywalker Saga_, and 2) to somehow conclude this trilogy despite having to abandon and retcon much of what the second film did.

The importance of this trilogy's disconnection from the others was brought into relief for me by something my uncle said when we were discussing _Rise_. He's a fall-down drunk who talks to trees and may be involved in a plan to resurrect Hitler as a gay sushi chef, but he has a very interesting perspective on the _Star Wars_ films. To paraphrase, he said that to him _Force Awakens_, _Last Jedi_, and _Rise_ never felt like _Episodes VII_, _VIII_, and _IX_ – rather they felt like _Episodes X_, _XI_, and _XII_, and the "real" _Episode VII_, _VIII_, and _IX_ were never made. This isn't him arguing that Lucas's ideas for the third trilogy (which were rejected by Disney) should have been used and would have been awesome – rather his point is more structural; this trilogy is built on a serious of major events which take place between _Return of the Jedi_ and _Force Awakens_, which we never got to see and which fundamentally divide this trilogy from the other two. Had we been made privy to these events, however, these last three films would have had a much easier task of integrating into and ending the twelve-film _Skywalker Saga_. I have to admit, it wasn't something that had occurred to me, but the tree to whom he pitched it really sold me on the idea when it told me over the phone, and it does make a lot of narrative sense – had this been the fourth trilogy rather than the third, its connection to the first six films would have been much more organic, the story much more contiguous, and the task of bringing the entire saga to a close considerably less daunting.

Of course, a big question is whether or not Disney had a specific narrative plan going into this thing, with many arguing that the lack of coherence between the three films proves that they did not. But that seems somewhat unbelievable to me. Rather (and again, I have to credit my uncle with this), it's more likely that Abrams laid groundwork for a coherent three-film arc, but Rian Johnson was more concerned with making a Rian Johnson film than a _Star Wars_ film, and ignored (if not necessarily undermined) much of Abrams's preparatory work. This also feeds into the criticism that the first hour of _Rise_ is too plot-heavy and expositionary; which could be explained if he was essentially in a position of having to do two films' worth of work in one, because plot points that should have been emphasised in _Last Jedi_, to set up the events in _Rise_, simply weren't.

The big thing here is the return of Palpatine, which has been argued to be completely arbitrary, a desperate bit of fan service from a filmmaker trying to win back fans, and which doesn't make a whole lot of narrative sense. I can certainly sympathise with those sentiments, and I agree that his return negates Vader's sacrifice at the end of _Return of the Jedi_ and makes a mockery of the whole "_restoring balance to the Force_" prophecy in the prequel trilogy. However (and this is the final reference to my uncle), there were a number of hints in _Force Awakens_ (that I did not pick up on) that a big bad was pulling the strings and that that big bad was Palpatine. To explain any more would constitute spoilers for _Rise_, but there are videos on YouTube posted shortly after the release of _Force Awakens_ which speculate (correctly, it turns out) that Palpatine might be involved. Taken together, it's enough to convince me that his return wasn't as arbitrary as it may seem. And although the fact that it seems that way at all is still a major problem, that's more likely the fault of Johnson rather than Abrams.

There are some smaller issues with the film, however. For example, there are far too many shots of Rey staring off into the middle-distance as she senses something (usually connected to Ren). The film also tends to treat death less than reverentially; no less than six characters die, only to return in some form or another, which cheapens and undermines both the goals of the characters and the inherent risk in attempting to achieve those goals. The quartet of main characters also remain as insipid as they were in the previous two films – Rey never gets beyond the reluctant Jedi trying to wrap her head around everything; Finn never gets beyond the token good guy who used to be bad template; Poe never gets beyond Han Solo-lite; and Ren never gets beyond the moody emo who hates his parents and so is rebelling against them by hanging out with a questionable crowd of intergalactic fascists. As you do. The structure of the plot is also poor, far too repetitive, and relying too heavily on coincidence. The biggest problem is that the whole film is built around the Resistance trying to get to Exegol. To do so they need the Wayfinder, but to get that they need this other thing, but to find that they need to go here and speak to him, but to do that they need a mystical doohickey but to get that they have to…you get the picture. The whole film feels like a series of video game quests.

Something else that bothered me is a semi-spoiler, so skip this paragraph if you wish. Mimicking the scene in _A New Hope_ where the _Millennium Falcon_ swoops in to save Luke in the final battle, there's a shot towards the end of the film where a massive fleet of thousands of Resistance ships is revealed, led by Lando Calrissian (Billy Dee Williams). But where did such an armada come from? How was Lando able to assemble so many ships in such a short space of time (he has no more than a couple of days)? If such a fleet exists, why not use it before now? Visually, it's a spectacular shot, but the grandiosity is achieved by sacrificing logic.

For all that, however, I have to admit, I enjoyed _The Rise of Skywalker_ for the most part – it's a fine spectacle taken on its own terms, very loud, very over-the-top, and very entertaining. One thing that's come in for a lot in criticism is the number of callbacks to previous films. And there certainly is a lot, but, generally speaking, I thought they were fairly well-handled, logical enough and reasonably organic. For example, Palpatine tells Ren that some people consider Sith abilities to be "unnatural", which was exactly what Palpatine told Anakin (Hayden Christensen) in _Revenge of the Sith_; Poe and Finn are shown playing the holographic chess game on the _Falcon_; the turret gun on the _Falcon_ still has the old-school graphic readout as seen in New Hope; during her training, Rey uses the blast shield on her helmet whilst fighting a flying bot, another reference to _New Hope_; characters sink into quicksand in a scene reminiscent of the garbage compactor scene in _New Hope_; a character Force-lifts an X-Wing from a swamp just as we see Yoda doing in _Empire_; there's a scene of Palpatine and Rey watching a nearby space battle, just as Palpatine and Luke do in _Return of the Jedi_.

Aesthetically, as one would expect, everything looks and sounds great, particularly Palpatine's base on Exegol. Abrams and cinematographer Dan Mindel (_John Carter_; _The Amazing Spider-Man 2_; _Pacific Rim: Uprising_) shoot these scenes like it's a horror movie – deep chiaroscuro shadows, ominous caverns disappearing in the background, unnaturally powerful lightening flashing from above. This tone is helped immeasurably by the production design by Rick Carter (_Forrest Gump_; _A.I. Artificial Intelligence_; _Avatar_), which really sells the vast otherworldliness of the place. Equally important here is the sound design by David Acord (_Guardians of the Galaxy_; _Avengers: Age of Ultron_; _The Secret Life of Pets_), which features a constant chatter of unearthly and disembodied voices, like a thousand ghosts all whispering at once.

The whole thing has a dark vibe the likes of which we've never really seen in _Star Wars_, and the scenes here are probably the best in the film, from a craft perspective if nothing else. The scenes showing Rey and Ren speaking to one another via Force Dyad are also excellent. These scenes were easily the best part of _Last Jedi_, and they're just as good here, as we see the background of one character's location appearing behind the other character, with the backgrounds shifting from one to the other as the scenes play out. A lightsaber fight makes particularly good use of the Dyad, with events in one location having an unexpected effect on events in the other.

So, all things considered, although I enjoyed _The Rise of Skywalker_ and found it a vast improvement over _Last Jedi_, it never touches greatness. Everything feels workshopped and focus-grouped to within an inch of its life, and the spark of originality that was so prevalent in the original trilogy and less so in the prequels seems almost extinguished. It looks great, and it's both exciting and entertaining, but it's also safe and predictable in a way that none of the films were when Lucas was still in charge. And sure, you might say that fans rejected _Last Jedi_ because it took too many risks, and now they reject _Rise_ because it doesn't take enough, and there's probably some truth to that. But the fact is that the film never feels like a closing chapter, not because it looks like there'll be more chapters, rather because it never seems to know how to conclude the story with much in the way of satisfaction. I enjoyed it whilst I was watching it and it's a decent enough _Star Wars_ movie, with some terrific individual scenes. But as the final entry of a 42-year-old franchise (the most popular franchise in any medium in human history), the whole thing is, perhaps inevitably, a little disappointing.
“Do it!”

I’m surprised they added that in there despite all the memes.

Anyway…

A long time ago...four years to be distinct; the space opera ‘Star Wars’ returned to cinemas with ‘The Force Awakens', that brought back the bittersweet experience that fans have been craving for over 30 years. Well lets just say Christmas was magical that year. While I wasn’t quite as wowed as everyone else, but I still enjoyed it otherwise and I was interested where the story will go after J.J. Abrams left his “mystery box” of questions for another director to answer. How exciting and epic the next years will be.

And then the sequel and two spin-offs happened. Well lets just say my interest for these new movies has completely evaporated. Sad times indeed. And no I don’t feel like I’m being overly negative in the heat this movie is receiving, because right now, at this very moment, my thoughts and overall feeling on this movie are genuine, and re-watching it isn’t going to safe it. I’m not disappointed or angry, because at this point I stopped caring.

‘Rise of Skywalker’ is a factory made movie with no heart, no soul, and no magic. Words and phrases like: bold, epic, and satisfying - are not the type of words that I would describe this final chapter in the Skywalker saga. I can’t call something bold if it played things incredibly safe. Each movie exists just to shred up and apologize for what came before it.

J.J. Abrams can be hit or miss sometimes, but I must admit he had a difficult task to follow up on ‘Last Jedi’ and Rian Johnson undoing his mystery box questions. If that wasn’t bad enough, the death of Carrie Fisher also had a massive effect on the story, and including her into the movie, while respecting her legacy and giving her as much screen time with the limited deleted footage they have. Abrams sadly treads on familiar ground and doesn't really handle the originals (or even the prequels) with respect. This is literally a remake of ‘Return of The Jedi’.

The story in this movie is almost nonexistent. It’s so rushed that you can’t catch a breather amidst the chaos. Nothing flows naturally. Characters running around and jumping from location to location. I think the quick pace easily hides the poor writing and plot holes. I also thought the title crawl is a bit off and felt it was written by a Reddit user. From the moment the movie starts until it ends nothing makes a lick of sense.

I think the biggest waste of opportunity is the character of Finn, because the potential of greatness was set up in ‘The Force Awakens’, and they didn’t do a single thing with it. I mean, a Stormtrooper who revolt against the corrupt and sinister empire, which is something we haven’t seen before. Heck, a long time ago he held a lightsaber. Unfortunately in this movie he’s a comedic buffoon that sweats and shouts a lot. What a waste of John Boyega’s talent. They did him dirty.

I like Daisy Ridley, not so much on Rey. I don’t want to jump on any bandwagon here, but I don’t understand how someone can be so over powered and skillful at the force with barely any training. Whenever there is training it’s over before you know it. There was a point where I said to myself, “Who taught her to do that?”, or “how the hell did she do that?”. I really struggled to emotionally connect with Rey, because there’s nothing more dull than a character with no flaws or growth.

The strongest element throughout these three movies was Kylo Ren by the magnificent Adam Driver. This guy literally carried this series on his back. At least his character as an arc, and not just wasted potential. I actually connected with his inner conflict between the dark side and the light side.

The cinematography looks beautiful and absolutely striking. The visuals and music will always be great with these movies regardless on the actual movie.

Emperor Palpatine is back...for some reason. The vague explanation of why he’s back made it clear to me that Disney had no plan from the start for these new movies. Still, Ian McDiarmid is fantastic as always. He oozes with evil and soaks up every wicked moment of it.

The awkward and ill-placed comedy from ‘Last Jedi’ is still present and it got worse and worse as it went along. With this being the finale, new characters still get introduce and get some development. Like, why are you introducing new characters now? Billy Dee Williams returns as the slick and classy Lando, but sadly doesn't really do much for the story. Richard E. Grant is great as the ruthless new commander of the First Oder with the small screen time he has. Dominic Monaghan, on the other hand, feels like an extra. Rose Tico has a smaller role this time around and her entire love triangle with Finn from ‘Last Jedi’ gets brush under the carpet. Kelly Marie Tran sure can’t catch a break.

The action sequences with the lightsaber fights and space battles were mostly forgettable. Even the scenes that stick to mind wasn’t that special. The camera fails to capture focal points with the grand scale lacking.

I like how there’s a lesbian couple towards the end that’s on screen for about two seconds. So when the studio want to market the movie for China, they could easily edit out it to make it more “marketable”. How progressive Disney.

Overall rating: An unsatisfying conclusion. At least ‘The Mandalorian’ is good.


phim ngôi đền kỳ quái Star Wars: The Rise of Skywalker phim nhà ông hoàng có vàng Every generation has a legend phim thần chết 2019-12-18 phim dư sinh xin chỉ giáo nhiều hơn tập 1 George Lucas, John Williams, Kathleen Kennedy, Rick Carter, Michael Kaplan, April Webster, Rosemary Brandenburg, J.J. Abrams, J.J. Abrams, J.J. Abrams phim hài hay ký hiệu chap 60 nào giống tiếng việt nhất phim ô lông viện tập 1 indonesia trên facebook phim rambo nhật bản hy lạp Star Wars: The Rise of Skywalker phim hạ cánh nơi anh tập 15 Every generation has a legend 4 phim tình yêu bốn mùa 2019-12-18 phim park seo joon 2020 George Lucas, John Williams, Kathleen Kennedy, Rick Carter, Michael Kaplan, April Webster, Rosemary Brandenburg, J.J. Abrams, J.J. Abrams, J.J. Abrams danh từ tiếng việt âm thanh có những hạn chế gì xamarin phim anh thầy ngôi sao chuyển win 7 từ tiếng nhật sang tiếng anh văn học lớp 9 dịch ra tiếng anh.